The Making of Three Gardens

 

Oh, sit back in your most comfortable chair; pour a strong coffee; open a box of the most delicious chocolates; browse this book and you will be in gardener’s heaven. From front cover to back this book is a dream and a delight; we cannot imagine that we will ever have a garden comparable to those shown on its pages but we certainly can appreciate and enjoy them. They are examples of the most wonderful creativity, imagination, architectural dexterity, installation perfection, aesthetic beauty and no shortage of disposable income!

The Making of Three Gardens COVER (1)

Jorge Sánchez is a principle partner of SMI Landscape Architecture in Palm Beach, Florida, an award-winning firm with clients throughout the United States and the Bahamas. The company is best known for its public gardens and street planning as well as large private gardens and this book presents three of these private gardens, two in Florida and one in New York. These gardens, by location and scale, are quite apart from our usual experience of gardens yet, by their art and design and planting, they transcend geographical boundaries and have a universal appeal. They are superb examples of art in gardening.

Though the gardens presented are quite fabulous and the author enjoys an enormously successful career with innumerable highly praised projects his voice, as he writes this book, is one of openness and humility where he generously acknowledges those who influenced and inspired him in his work and lavishly praises those with whom he collaborates and those who implement his designs. His accounts give an open and honest insight into his approach to each garden design – which is one of consultation and collaboration – and he explains the reasons behind his designs and changes in design as work progresses. It was all wonderfully informative and very pleasant reading.

The Making of Three Gardens (5)

The Making of Three Gardens (2)

The photography is by Andre Baranowski and is quite outstanding, a perfect accompaniment to the text and, along with the design plans, gives the reader a perfect insight and understanding of the designs and the gardens.

The Making of Three Gardens (7)

The Making of Three Gardens (6)

I suppose we might describe this as a coffee table book but it is far more than that. Yes, the photographs alone would allow it to be enjoyed without reading a word – as is the case with most coffee table books – but the text is so well written and such a pleasure to read that to relegate it to the coffee table would be a terrible disservice. Instead, read it with that coffee and chocolate for a truly enjoyable experience!

The Making of Three Gardens, Jorge Sánchez, Photography by Andre Baranowski, Merrell, London, 2017, Hardback, 208 pages, £45, ISBN: 978-1-8589-4665-8

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

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Every Plant has a Story!

Every plant has a story and these add to the interest and enjoyment gardeners get from them. Noel Kingsbury, in his Flora, The Natural and Cultural History of the Plants in Your Garden, has taken a selection of 133 plants, not an encyclopaedic collection but enough to enthuse and encourage the readers to, perhaps, search out such delightful snippets on other plants which interest them.

Garden Flora

I found the introductory chapter somewhat tedious with its explanations of terms used in the book, an outline of the various plant types along with evolutionary history and ecological survival strategies of plants. There were notes on plant longevity, whether annual, biennial or perennial, whether plants were clonal or not, spreading or not, bla, bla, bla, whether they were pioneers or competitors, notes on biodiversity, lists of topics/headings used in the book bla, bla, bla. Why so much time and space was given to such topics when they did not compliment the rest of the book puzzled me. Perhaps it was to give a certain gravitas to what otherwise is a light – and very interesting and entertaining – collection of short essays on garden plants, somewhat in the style of a collection of magazine articles.

The collection of essays explores, though not in a regimented formulaic manner, various interesting areas of each plant: the meaning of the botanical name, the origin of the name, uses of the plant whether culinary or medicinal; its uses in herbalism and its place in superstitions; history of its use in gardens; natural geographical distribution; history of its introduction and notes of cultivars raised and grown in our gardens. Many of these entries are illustrated with historic photographs and paintings which are both especially attractive and interesting in themselves and add greatly to the enjoyment of the book.

Leaving the introduction aside – and one is unlikely to return to it – the remainder of the book is very enjoyable and the reader is likely to dip into it again and again.

[Garden Flora – The Natural and  Cultural History of the Plants in Your Garden, Noel Kingsbury, Timber Press, London, 2016, Hardback, 368 pages, £29.99, ISBN: 13:978-1-60469-565-6]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

 

What were they thinking?

How often have you looked at a designed landscape and wondered what had inspired the creator to develop the area in this particular way! This book has been both a revelation and a comfort as there are times when the source of inspiration may be clear and obvious – for example, when the garden is an obvious reflection of its surroundings – while at others it can be quite obtuse as when the designer, in search of inspiration, delves into childhood experiences of which, of course, we could have no knowledge and, so, are unable to be in a position to interpret their design.

The Inspired Landscape

The designs, twenty one in total, discussed in this book are outside the experience of the vast majority of gardeners and while I have referred to them as “gardens” above it would be more accurate to call them “landscape designs”. They are far from the domestic in their dimensions, scale and impact and are truly impressive, awe-inspiring and works of art in themselves. The gardener of domestic experience could well be puzzled by them but Susan Cohan’s book provides a wonderful, insightful and very interesting insight into what lay behind these landscapes; what it was that inspired each designer.

Some were pleasantly obvious and, to me, comfortable: Shlomo Aronson’s design at the Ben-Gurion University of the Neger, Beersheba, Israel is directly inspired by the surrounding desert landscape, for example, while Charles Jencks’ design for the Maggie’s Cancer Caring Centre, Inverness, based on dividing human cells is not immediately obvious. Likewise, without being informed, it is not obvious that Tom Stuart-Smith’s box parterres in the walled garden at Broughton Grange are based on a microscopic picture of the cells of leaves. Some designers carry on in the style of local gardening traditions, others look to other garden designers for inspiration (is this copying?) while sculpture, plant form, even clothing patterns have inspired others. Some look to the past, – history, myths and legends – while others can impressively embrace the past and bring in along into the present and into the future, such as Peter Latz’s Landscape Park in Duisboury Nord, Germany, where he took a derelict industrial area of vast scale and, rather than clearing the area to begin on a blank canvas, kept as much as possible or ore bunkers, railway tracks and immense walls and made garden spaces within them which have served the community splendidly.

Each project is well illustrated with initial sketches and plans, design drawings and photographs with an outline of the journey from inspiration to completion. The author’s interviews with the various designers have provided an insight into an area with which I would be otherwise unfamiliar and have made the reading of these landscapes very enjoyable indeed. This is an excellent book to be enjoyed at a leisurely pace and includes work by:

  • Shlomo Aronson, Sheila Brady, and James Burnett
  • Gilles Clément, Gary Hilderbrand, and Charles Jencks
  • Mary Margaret Jones, Mikyoung Kim, and Peter Latz
  • Shunmyo Masuno, Signe Nielsen, and Cornelia Hahn Oberlander
  • Laurie Olin, Ken Smith, and Stephen Stimson
  • Tom Stuart-Smith, Christine Ten Eyck, and Ryoko Ueyama
  • Kim Wilkie, Thomas Woltz, and Kongjian Yu

 

 [The Inspired Landscape, Susan Cohan,Timber Press, 2016, Hardback, 272pp, £35, ISBN: 9781604694390]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

 

Roy Lancaster: My Life with Plants

Roy Lancaster

Roy Lancaster’s first interest in flowers was in the wild flower of the countryside around Bolton where he was born in 1937. He began work with the Bolton Parks Department, spent two years in Malaya as a national serviceman, two years at the Cambridge Botanic Gardens as a gardening student and 18 years with the Hillier Nurseries before going on to a successful freelance career which included radio and TV work, journalism, two of the greatest books on plant-hunting, international consultancy work and innumerable awards and honours yet, through this lengthy career it was plants, and particularly plants growing in the wild, which held his heart and fired this enthusiasm. He was and is the ultimate plantsman.

roy-lancaster - from RHS
Roy Lancaster – photo courtesy of the Royal Horticultural Society

He comments that he had the “good fortune in having spent my life in the company of plants” and that he was “a plantsman who loves storytelling” – and here is the essence of this book. As he recalls his life from childhood to the present day the overlaying theme is that of plants, his joy in encountering them for the first time, particularly so if this was in the wild, the associations and memories they hold for him of so many treasured friends, many now gone, and, above all, the sheer delight and wonder he saw in each encounter. He writes with enthusiasm, unbounded knowledge, and undiminishing sheer delight.

Dahlias, chrysanthemums, laburnum and privet were the plants of his childhood home but he soon began exploring the local countryside. He began work at 15 in Bolton Parks Department and, with national service, spent two years in Malaya where he recorded, collected and corresponded on his new plant encounters. Two years as an apprentice gardener followed at Cambridge Botanic Gardens before going on to the Hillier Nurseries where, to mark their centenary, he expanded their plant catalogue to the Hillier Manual, first published in 1971, and became curator of the Hillier Arboretum. The arboretum was passed to the County Council and shortly afterwards he left to begin his freelance career, a daring move which proved hugely successful.

There had been a three month expedition to Nepal in 1981  – this, and his further plant hunting expeditions in China (11 in total) are given only mention in this volume as they are covered “A Plantsman in Nepal” and “A Plantsman’s Paradise: Travels in China”, two magnificent volumes which enthused gardeners worldwide.

These publications lead to demands for him to lecture worldwide and he was particularly popular in the United States and each trip provided further opportunity to see plants in their native environment – and it seems that this was nearly as important to him as the basics of earning a living! There are many amusing stories from these lecture tours and recollections of meeting many interesting people.

roy lancaster - from Country Gardener
Roy Lancaster – photo courtesy of Country Gardener

There were eight years of appearances on the BBC’s Gardener’s World and other programmes followed with Channel 4: “In Search of Wild Asparagus”, “The Great Plant Collections”, “Garden Club” and, of course, many years on “Gardeners’ Question Time”. He has contributed to a long list of magazines and journals, including forty years contributing to the RHS “The Garden”.

It was a long and interesting career and his recollections in this autobiography will delight all gardeners and plant lovers. The book ends with a tour of his own garden, a selection of the plants he grows there and the friends, colleagues and associations they each recall. Finally, another group of students – regulars from Kew and Wisley – come on a visit and it brings him back to where he started himself as an enthusiastic student. His secret and success is that he has held this enthusiasm through his entire life and, while accolades, honours and awards were plentiful, it was the love of plants which fired his soul.

Roy Lancaster

[Roy Lancaster: My Life with Plants, Roy Lancaster, Filbert Press in association with the Royal Horticultural Society, 2017, Hardback, 312 pages,£25, ISBN: 978-0-9933892-5-2]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

The Breathing Burren – A Review

The Breathing Burren by Gordon D’Arcy

It is wonderful to pick up a book and have the immediate reaction “Oh, this is beautiful” – comfortable in the hand, attractive in size, print and illustration – and there is an immediate longing to read. This is how it was when Gordon D’Arcy’s “The Breathing Burren” arrived from The Collins Press recently and my subsequent slow and savouring read proved that my first impressions were not only accurate but even understated. The author admits to an infatuation with The Burren and I certainly confess to a deep awe in the area so the book had certainly come to a receptive reader.

the_breathing_burren

Gordon D’Arcy is Belfast born and came to explore The Burren, fell in love with the place and moved there and has been resident for over thirty years. His 1999 The Natural History of The Burren has been an inspiration to many who have come to love this unique environment in Co. Clare. The Burren is a landscape of limestone karst, its clints and grykes housing a summer display of flowers which attract both plant enthusiasts and tourists in great numbers.

The author describes this volume as a “salutation” to The Burren and presents a marvellous miscellany of experiences, recorded in his diaries, from many years of roaming the area so we are presented with a distillation of years of enjoyment and experience. As such, it is a book of highlight, of great experiences and wonderful occasions, a compendium of personal experiences which may not be unique but are certainly memorable – the first flowering of gentian in the spring, the incredible encounters with stoats and otters, the rare migrant seabirds, the dawn chorus of Burren birds and broadened and deepened by his recollections of other enthusiasts with whom he had spent time on The Burren. There are accounts of farming, caving and archaeology, all engaging and informative and all very pleasantly illustrated by the author’s watercolour paintings which are quiet and unobtrusive but a perfect complement to the text.

Beyond the recollection of happy events and encounters there is a final substantial section, “Musings” where the author goes far beyond the simple recollection of happy days poses serious questions which he has considered himself and urges us, the readers, and everybody involved with The Burren – those living there, those responsible for decisions which will affect the area – to think about what the area, its value, its use, its worth, its contribution to our culture and how we might care for it for the future.

It is clear that the author is passionately in love with this wonderful area of our country and this love extends far beyond simply enjoying it – which is about the extent of my interaction with the area – to feeling a responsibility and duty of care for it. When you read this book you will understand why he feels this way and you will find yourself agreeing with him very easily.

This is an outstanding book which goes beyond the usual approach of simple descriptions of the natural phenomena of The Burren and is likely to inspire an even greater appreciation for this treasure which is part of our landscape.

[The Breathing Burren, Gordon D’Arcy, The Collins Press, Cork, 2016, Hardback, 304 pages, ISBN: 9781848892682, €24.99 – €17.49 special offer on The Collins Press website at the moment: http://www.collinspress.ie/the-breathing-burren.html]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

Snowdrop – far more than a simple flower!

As with its subject matter, this book is a joy, a jewel, a treasure and an interesting, and different, addition to our reading material on snowdrops. Few could deny the appeal of snowdrops in the garden, those apparently dainty flowers which defy our harsh winters and bring interest over the six months of October to March. There has been a strong resurgence of interest in these flowers over recent years but over the centuries they have appealed not only to avid gardeners but also to artists, authors and musicians among others and this book delves into this broader appeal. Even the early chapter which describes the various species of galanthus concentrates as much on the social, historic and geographic connections as on the purely botanic. It adds an interesting and very enjoyable richness to the treatment of this marvellous genus of plants.

Of Irish interest is that the first recorded use of the name “snowdrop” was in 1664 by the Irish chemist and physicist, Robert Boyle in a paper entitled, “Experiments and Considerations Touching Colour”.  Another early name was “schneetropfen” as the closed snowdrop flower resembled the greatly valued pearl earrings of the time – as seen in Johannes Vermeer’s “Girl with a Pearl Earring”(1665). The French admired its ability to pierce the snow calling the flower “Perce Niege” while the Spanish referred to them as Spring Bells, “Campanilla de Invierno”. These latter do seem somewhat more accurate and appropriate than John Gerard’s “timely flowring bulbus violet”.

snowdrops       snowdrops      snowdrops

We hear the word “galanthophile” used nowadays almost as a pejorative term and though it was listed in the Oxford English Dictionary in 2012 it was in fact first used by E. A. Bowles (1865- 1954) early in the last century. The caustic pen of Christopher Lloyd wrote that he grew around twenty snowdrop varieties in his garden but that “a genuine nutter might have upwards of 300 and still be far from sated” while Reginald Farrer, famed plant-hunter, commented “the snowdrop gives me chilblains only to look at it.”  Yes, indeed, they can be an addictive interest and while this book will certainly appeal to the “nutters” it will also appeal to those of more modest interest as the author threads her way through the wide and various ways in which snowdrops have been loved, used, appreciated and featured over the centuries. It is a wonderfully interesting journey, full of insight, unimagined connections, and delightful treasures.

Gail Harland’s previous books, The Tomato Book (2009), Designing and Creating a Cottage Garden (2011) and The Weeder’s Digest (2012), were each well-researched, readable and enjoyable and she has continued with another excellent volume. You will enjoy Snowdrop whether you are a nutter or not!

[Snowdrop, Gail Harland, Reaktion Books,London, 2016, Harback, 216 pages,£16, ISBN: 978-1-78023-492-2]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook

The Making of Place

The Overview!

The extraordinary range of approaches and styles one sees in gardens throughout the world, in different countries and different cultures can be quite bewildering. It is fortunate to have one such as John Dixon Hunt, who seems to have a comprehensive knowledge and grasp of all matters of garden design, to organise such divergent and wide-ranging approaches and present them to us in a way that is easily comprehended. I cannot say that I didn’t find this book challenging – I am no more than an amateur domestic gardener – but I also found it informative, insightful and, very importantly I believe, enjoyable. To be educated without enjoyment would be a dreadful trial and educated I was while certainly enjoying the process.

the-making-of-space

The traditions of garden design stretch back over the centuries and while many of today’s gardens play homage to this tradition, garden designers of today also seek to be innovative, fresh, spontaneous and reactive to the differing situations with which they are presented as they seek, in the words of the author, to make a place for respite in nature. The author discusses approximately one hundred gardens ranging from large to small, public to private, botanical gardens, campuses academic and industrial, parks large and small, memorial and sculptural gardens, festival and reinvented gardens, even gardens still only on paper, a wide range from around the world – the United States, Australia, China, Germany, United Kingdom and France. Each is discussed and each is assessed for its contribution, importance and influence in landscape design and it is particularly heart-warming that the author can be unhesitatingly honest and critical where such is demanded.

John Dixon Hunt’s early academic career was in teaching English literature. He wrote extensively in this area before pursuing an even more successful and highly regarded academic career in the study of gardens and landscapes. He is presently Emeritus Professor of the History and Theory of Landscape at the University of Pennsylvania, edits the journal Studies in the History of Gardens and Designed Landscape and is the author of many books. Given that he normally writes for an academic readership or those already familiar with gardening philosophy, theory and history it comes as a pleasant surprise that this book is written to be easily accessible to all who are interested in gardening, amateur and domestic as well as academic and professional.

The author’s knowledge seems to be encyclopaedic and his grasp of the subject comprehensive yet he presents a wealth of information and comment in a manner which is a pleasure to read and which gives the reader an overview of the current landscape and gardening scene – quite an achievement and a joy to read.

[The Making of Place: Modern and Contemporary Gardens, John Dixon Hunt, Reaktion Books, London, 2015, Hardback, 304 pages, £25, ISBN: 978-1-78023-520-2]

Paddy Tobin

To find out more about the Irish Garden Plant Society visit our website or follow us on Facebook